Canadian Institute for Exploratory Cinemas presents this transgressive short film compilation. Conceived by the underground film society Cinema Abattoir, the A Rebours short film anthology convey the spectator side of experimental and avant-garde cinema.

A collection of writings analyzing the controversial 1979 posthumous memoirs of the great Russian composer at their significance. In 1979, the alleged memoirs of legendary composer Dmitry Shostakovich (1906-1975) were published as Testimony: The Memoirs of Dmitry Shostakovich As Related to and Edited by Solomon Volkov. Since its appearance, however, Testimony has been the focus of controversy in Shostakovich studies as doubts were raised concerning...

Featuring 100 of the best photographs ever captured on camera, Look At This If You Love Great Photography is a must read for anyone who appreciates the power of the image. In this beautiful guide to some of the most compelling photographs ever taken, photography journalist Gemma Padley offers concise, insightful summaries of just what it is that makes each one so special. Having written for some of the most important publications on modern...

In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar's influential A Voice...

Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric...

As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral...

Over the course of the Middle Ages, the economies of Europe, Asia, and northern Africa became more closely integrated, fostering the international and intercontinental journeys of merchants, pilgrims, diplomats, missionaries, and adventurers. During a time in history when travel was often difficult, expensive, and fraught with danger, these wayfarers composed accounts of their experiences in unprecedented numbers and transformed traditional conceptions...

Después vino la toma del Palacio de Justicia, que cambió mi crítica humorística por la conciencia del drama. Ya no había risa. Señor presidente, qué honor estar con usted en este momento histórico cierra una etapa y abre otra. Una periodista me preguntó en un reportaje si yo hacía arte comprometido políticamente; yo le respondí: "El compromiso de los artistas no es político, sino ético". Lo que sigue es otro cuento. De "Arte y política"...

Post- Arquitectura es la síntesis y revisión crítica de diez años de trabajo, donde los 'otros' espacios fueron el punto de partida para reflexiones y tesis. El texto propone entender la arquitectura como geografía de primera y segunda escala, es decir, como territorio base para la experiencia espacial; además plantea la reconceptualización de elementos arquitectnicos y su organización en redes y sistemas multidimensionales. Post-Arquitectura...

In the arts, Neoclassicism is a historical tradition or aesthetic attitude based on the art of Greece and Rome in antiquity. The movement started around the 18th-century, age of Enlightenment, and continued into the early 19th-century The general credo associated with the aesthetic attitude of Classicism was that art had to be rational and therefore morally better. Neoclassicists also believed that art should be cerebral, not sensual and therefore...