Amanda Quick, the bestselling author of 'Til Death Do Us Part, transports readers to 1930s California, where glamour and seduction spawn a multitude of sins.

Adapted from a ten-part peephole installation, COWARDS BEND THE KNEE is "jam-packed with enough kinetically photographed action to seem like a never-ending cliffhanger. Set in a shadow-suffused hockey arena and a Mabuse-like beauty salon-slash-abortion clinic, the plot drips with Grecian formula, as sordid family secrets spawn unintentional murder most foul. Winner of the FIRPRESCI Prize at the **Rotterdam International Film Festival.** Nominated...

Joseph Schumpeter (1883–1950) coined the term “creative destruction” and generations of economists have adopted it as a shorthand description of the free market’s messy way of delivering progress. Schumpeter believed capitalism would be destroyed by its successes and would spawn an intellectual class that made its living by attacking the very bourgeois system of private property and freedom so necessary for the intellectual class’s existence....

Visible light, which can be seen with our eyes, comprises a small sliver of the electromagnetic spectrum. The rest of the spectrum, from short wavelength gamma rays to long-wavelength radio waves, requires special instruments to detect. ALMA uses and array of radio telescopes to detect and study radio waves from space. Radio telescopes are typically large parabolic dish antennas used singly or in an array. Radio observatories are preferentially located...

LYDIA LUNCH: THE WAR IS NEVER OVER by Beth B is the first career-spanning documentary retrospective of Lydia Lunch’s confrontational, acerbic and always electric artistry. As New York City’s preeminent No Wave icon from the late 70’s, Lunch has forged a lifetime of music and spoken word performance devoted to the utter right of any woman to indulge, seek pleasure, and to raise voice in a rage as loud as any man. The film frames Lunch’s work...